Normani is the Next Normani, Not Beyoncé
Musical comparisons are ubiquitous in pop culture. You’ve seen it: Brandy v. Monica, Mariah v. Ariana, Britney v. Xtina, Gaga v. Madonna, Nicki Minaj v. Lil Kim. The list can truly go on.
The “next big thing” is always linked to the OG, especially if she is Black. Society’s obsession with tokenism makes it difficult for Black women to individually shine in the same profession. No matter how distinctive and multifaceted they are, Black female artists are always clumped into the same box. And, only one can reign.
Don’t believe it? Introducing Case #444: Normani Kordei v. Beyoncé Knowles.
Since her departure from Fifth Harmony in 2018, Normani Kordei has been making waves as a powerhouse performer with a promising solo career.
Whether she’s belting fierce notes, swooning fans with her sultry vocals or doing backflips, press handstands into splits and somersaults at award shows without breaking a sweat, Normani continually displays versatility, prowess and stage presence.
After years of being linked to her girl group, Normani was determined to make a name for herself. And, she did just that at the 2018 Billboard Awards. Kordei’s “Love Lies” performance featuring R&B singer Khalid showcased her sex appeal and confidence as well as her perfectly-timed rhythm, clean vocals and flexibility. A true performer.
Just. Like. Beyoncé—at least that’s what critics and fans alike were saying. Kordei’s fierce showmanship sparked the incessant Beyoncé comparisons.
In the eyes of many, Normani was on the path to becoming “the next Beyoncé.” This may seem like the greatest compliment ever because Queen Bey: a) is one of Normani’s biggest influences, b) actually loves Normani, and c) is the greatest performer alive (period point blank, these hands work if you don’t agree)—but Normani is her own person.
When we draw seemingly innocent comparisons, we are depriving Normani of her right to evolve. She is developing her sound and image, and if we label her as a “carbon copy Beyoncé,” we will always expect her to live up to these expectations. Everything she does will be measured based on Queen Bey’s accomplishments. And, that is unfair.
(Photo Credit: Oprah Magazine)
We need to put respect on Beyoncé’s name as well. She worked her butt off for twenty plus years to be where she is at. No one can take those victories away from her. There will never be another Bey. Period. The same way that there will never be another Normani.
Black women deserve to coexist.
This concept that only one Black woman can be at the top is toxic. If we can individually praise white musical counterparts like Madonna, Lady Gaga, Britney Spears and Katy Perry and recognize their professional feats, we can do the same for these two powerful Black women.
One thing that can be said about Kordei is that she’s a new, fresh and well-needed voice for this generation. She unapologetically flexes her complexion, flaunts her God-given curves and consistently graces us with her talent.
